One editor. Every layer.
From the first cut to the final composite, I bring editing, motion and AI-assisted production into one focused workflow.
Motion design
After Effects · PhotoshopCGI + AI visuals
Blender · After Effects · AIWedding + podcast
Story edit · Sound · ColourThree passes, in order. Nothing gets a transition, a graphic or a grade until the story underneath it holds on its own.
Find the spine
Step 01I study the brief, audience and raw material to identify the one idea every frame should serve.Build the rhythm
Step 02The story takes shape through structure, pacing, sound, selects and the right visual language.Polish the frame
Step 03Motion, colour, typography and final sound are refined until every detail feels intentional.
Generative VFX and CGI, AI script-to-voiceover, voiceover-to-motion video, AI b-roll and shot generation, upscaling and cleanup — used to move faster without making the final work feel automated.
Six applications, one pipeline. A project moves left to right through it — nothing is handed to anyone else on the way.
Adobe Premiere Pro
The main bay. Long-form, reels, podcasts and every assembly starts here.
Final Cut Pro
Second bay, kept for fast-turnaround social work and same-day cuts.
After Effects
Motion design, kinetic typography, compositing, clean-up and rotoscoping.
Blender
CGI product moments, 3D animation and the rendered plates AE composites.
DaVinci Resolve
Colour grading and final conform before delivery.
Photoshop
Plates, thumbnails, matte work and anything the edit needs painted.